Michael Plyler's color work is rendered in Fuji Crystal Archive print material, the most archivally stable photographic medium available.

The original photograph is executed on color transparency film in 120 format (medium format). The original transparency is then scanned on a high resolution drum scanner and a digital file is created. The final image is "dialed in" using photoshop, then printed with laser light, and processed as a "wet" photographic print in the darkroom.